Jessica Lim’s Portfolio

Headshot of Jessica LimSPECIFIC – GENERAL – UNIVERSAL
°Â³ó²¹³ÙÌýBroughtÌý²Ñ±ðÌýToÌý±«¶Ù³¢

 

I came to UDL wanting to learn design techniques and principles to improve the accessibility of my courses.

²Ñ²âÌýspecificÌý³¦´Ç²Ô³¦±ð°ù²Ô as a teacher hasÌýbeen to help students from low-income backgrounds, students from the BIPOC and LBGTQ+ communitiesÌýfeel invited and comfortable in theÌýgeneralÌý(i.e.,Ìýconventional) learning environment.
I wanted to learnÌýways to improve my coursesÌýso that I was decreasing the educational attainability gap between students. From the beginning, UDL helped broaden theÌýscope of my concern and reframeÌýmy specific interest in moreÌýuniversalÌý(i.e.,Ìýinclusive) parameters. I realized very quickly that fitting students into the conventional learning environment was the wrong approach. A better,Ìýmore universalÌýmethod is toÌýreconfigureÌýlearning environments suchÌýthatÌýthey areÌýaccessible and inclusive from theÌýoutset.

With that in mind, I targeted oneÌýphilosophyÌýcourse to improve, titledÌýThinking For Ourselves,Ìýin which students range from well experienced in philosophy (some students have taken four philosophy courses by the time they take mine) to the complete novice (some students have never taken a philosophy course). This seemed like aÌýperfect opportunity to applyÌýsome of the lessonsÌýI’dÌýlearnt from UDLÌýto my specific concern aboutÌýattainability gaps.

When IÌýcreatedÌýtheÌýphilosophyÌýcourse a few years earlier, I had the benefit of using lessons thatÌýI’dÌýlearnt from WID in theÌýdesigningÌýprocess. The result was that my courseÌýwasÌýwellÌýscaffolded, used a variety of evaluative methods,ÌýemphasizedÌýthe revision process of writing, and offered many opportunities to use differentÌýwriting genres. It is myÌýfavouriteÌýclass to teach and it is a successful course!ÌýNevertheless, I could see the attainability gap between the two groups of students (those with a philosophy background and those without), so I began tweaking things according to universal design principles. °Â³ó²¹³ÙÌýyou’llÌýsee inÌýthe second part ofÌýmy portfolio is a description of the changes I made from Winter 2019 to Winter 2020.

Quite as a surprise, the coronavirus hit inÌýWinterÌý2020.ÌýIt’sÌýnow Fall 2020 and we are still in its throes!ÌýIn anticipation of an onlineÌýFallÌýand probably an online Winter,ÌýI created a new Humanities 101 course from theÌýground up using UDL principles.ÌýThis course,Ìýin particular,Ìýowes everything to the conversations I had with LaureÌýGalipeauÌýand Catherine Soleil and to my UDL cohortÌýmembersÌýAhmadÌýBanki, Ian Cuthbertson, and JeffreyÌýZeidel. It felt like the course wrote itselfÌýthanks to all of you. AÌýdescription of myÌýdesign process for this courseÌýcan beÌýfoundÌýin the third part of my portfolio.

Another outcome ofÌýmy UDL experience is that I reframed theÌý±«¶Ù³¢ principles into fourÌýbasic tools. I did this so that I could have quick guidelines to follow in the future, and decided to includeÌýthe fourÌýbasic toolsÌýin the first partÌýportfolio.

The result is that my portfolio has three parts:

  • first,Ìýfour basic UDL tools;
  • second, an example of applying the tools to tweak a pre-existing course;

• third, an example of applying the tools to create a new course.

 

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Last Modified: November 25, 2020